I could not help but love this music, and there is something very special about Portuguese. There is a real poetic languid beauty there that is not in many other languages. Someday I would like to get there as it seems to be an amazing and diverse culture, though I wish that there were some solution to the great economic inequities found in that society. I have a few terrific albums, I've seen the Simpsons episode in Rio and I've been to Rodizio restaurants, but that is about it.
I do have a friend who has made his way down to Rio as a cultural ambassador a few times, and while some people see him as an unassuming sort, those in the know are aware of his greatness. Every time I see the Dos Equis commercials starring "The World's Most Interesting Man". I know that there is a real person who is the
Stay Thirsty Smarty Jones |
Os Mutantes were a band starting out at the same time as the groups from Beleza Tropical, and they were also formed part of the Tropicalia movement of the 1960's. There was political unrest and social change in Brazil at the time, as there was in the US and Europe. Tropicalismo, as it was also called, was also a movement that involved literature, poetry, and theatre. And aside from merely being an incorporation of rock and roll and psychedelia into Brazilian music, there was also a political component to the new movement, a reaction to the military coup d'etat in 1964, which set up a right wing reactionary government. In many cases dissent was not tolerated and artists suffered reprisals from the new regime.
O Bruxo Do Luxo |
Os Mutantes consisted of brothers Arnaldo and Sergio Baptista and Rita Lee. I'm not sure who played what, and there certainly many other musicians who contributed to this album. Panis et Circensis starts the record in predictably eccentric style. The song keeps changing forms like a case of attention deficit disorder. But the musicianship is excellent with nice "Penny Lane" horns and the harmonies are great. A Minha Menina is just a really classic song featuring a great fuzzy psychedelic guitar lick and gogo type harmonies. My personal favorite here. Like a lot of the songs O Relogio starts and ends as a sweet ballad featuring Rita Lee and morphs into a lysergic rave up in the middle. Throughout the record there are sound effects--crashes, laughter, bird calls, whistles. And there are xylophones, clarinets, trombones, flutes, organ, strings. It's nice to see music like this getting recorded, because I could really see a producer or engineer taking these guys aside and asking "why are you doing this? This is a bad idea".
Adeus Maria Fulo is a very percussive Brazilian tune, the sort of thing you might expect on a Brazilian album today, but maybe not the refined Bossa Nova style that they were known for then. The following song is another highlight, the playful sexy Baby. I actually saw Portastatic (Mac McCaughan of Superchunk solo really) sing that song at Maxwell's in Hoboken, and he did a nice job. Gal Costa also does a beautiful version of this. Senor F is cheeky musichall cabaret, replete with New Orleans horns. It's like modern Western music in a microwave.
Probably the crowning song on this album is Bat Macumba in all its joyous strutting abandon. After this is the cool stoner madrigal Le Premier Bonheur Du Jour. Another highlight is Trem Fantasma, which is a mercurial pop song, changing from droniness to sleighbells to harmony filled chorus with horns. Tempo no Tempo is a cabaret type song, ending with church bells. The album closes with Ave Genghis Khan, another organ filled rave up. What a shame this didn't come out in the US sooner! A crazy and fun album to listen to. made a few The second album Mutantes is also recommended. And before Rita Lee was out of the band they made a few more. They actually reunited recently and toured the US, though without Rita Lee, unfortunately. If you like 60's rock and psychedelia this album should be part of your life. And stay thirsty, amigos.
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